die orangen, aka aussie producers dreems & kris baha are teaming up for the first time with 2 new unreleased jams under their new alias. slow and atmospheric, yet punching and grooving die orangen managed to meltdown genres into 100bpm 11 minute long trippy trancey bonanza with a substantial amount of jungle psychedelia and heavy drum machines. one day in sheperton is a more drum oriented industrial power house tune. with the diggerido and distorted voices coming in towards its 2nd half. this ep includes, as expected from the malka tuti crew, with awesome remixes by italian maestros fabrizio mamarella (of slow motion records) and alessandro adriani (of mannequin records), oodandatta rain is an ep that throws the listener back to the early days of partying in anjuna beach, when trance was not yet a genre, but a state of mind, and where the tribal element could be found in all sorts of bizzarre contexts and remote corners.

the 2nd solo album from peter gabriel, originally released in 1978 - now back on 180 gram double vinyl in gatefold sleeve, half-speed remastered and with download code included.

returning from the unknown space of his debut, martianman is back to refine his label’s ethos, continuing the exploration of sci-fi themes & deep ambience with vol.2 the opener, “got a dream”, bubbles up from submerged atmospheres, as a crisp, rattling break fights its way through the fog. martianman once again shows off his ear for textures, subtle vocals fade in and out of an entrancing, bottomless pad. a dark-meets-light journey through the cosmos. “amber fields” comes straight from the halcyon days of the mid-90’s intelligent movement. a light, rolling hot pants break gives way to a myriad of pads, strings and bleeps, each element shifting neatly throughout the fold. fans of the good looking vibe would do well to pick up this piece of subtle, understated beauty.

the classic 1989 aerosmith album back on 180 gram heavyweight vinyl - incl janies got a gun !

d-floor is ready to come back on vinyl with the new ep by nice7. from the title track “running man”, with catchy vocal hook, to the more emotional “red on sand”, this release marks a new series from the talented italian duo. analog synths, house grooves and old samples working together in both mixes.

up first is get enough, seven minutes of seductive techno that has an almost machine-gun like disco synth firing across the groove. it is a rumbling peak time track with real force and energy that will bring any floor to life. the title track, toleranz, is a gritty and stripped back basement cut with dry hits and burrowing acid bass that takes you deep into the night. cobra then proves this pair have real breadth in the studio and is a barrel chested house cut with more big hits, rib rattling bass and incendiary techno hi hats that really get you on your toes. remixing are the tech duo of pleasurekraft, whose releases on octopus and mood records have won them plenty of dj and dancing fans. they layer in some dark melodies to sq80 and build it steadily before allowing the militant drums and crisp snares to explode and drive you and the whole club forwards.

ndatl continues against this backdrop of club tracks with a smooth offering featuring new vocalist rico and seasoned trumpeter kafelé bandelé. produced by label head kai alcé and remixes by larry heard.
here you will find the original ndatl mix, larry’s reinterpretation and two other worldly mixes under his guise mr. fingers which takes this song into another realm that only fingers can reach. so sit back, listen, then dance.

hilltop imprint come back with some killer ghetto house vibes, thumpin & pumpin

the rolling stones release ‘blue & lonesome’, their first studio album in over a decade. ‘blue & lonesome’ takes the band back to their roots and the passion for blues music which has always been at the heart and soul of the rolling stones.
double heavyweight vinyl in a gatefold sleeve with album download card.

the noisemaker is back on raw waxes with his typical sinister, analogue-only electronic and techno music excursions, after the first series of eps remixed by inigo kennedy, mike parker, blind observatory and more. all productions are meant and released to offer a -living the moment- musical concept. the artwork has been realized by benedikt rugar, german illustrator continuing the abstract porn visual imaginary since the label fifth release.

lucindo is back with an acidic straightahead banging techno ep including an excellent heavy industrial hypnotic remix by huren.

introducing ideaz, two skilled beat-makers discovered by cold busted, hailing from within the funky heart of russia. marat and nicolay make their ideaz debut with motion capture, a fantastic 15-track album that showcases the laid-back, blunted flavor of the duos rhythmic constructions. jazzy samples, vinyl pops, and crafty scratches abound as the album speaks the universal language of the instrumental hip-hop head-nod. “every day” hypnotizes with its funky handclap stomp, quick guitar riffs, and fleeting splashes of vocal. a gentle approach is revealed on “blossom fell”, featuring a dreamy female vocal hook, slowly tremolo’ed electric piano chords, and an overall air of wistfulness. “lines” brings ideaz into futuristic funk territory as its loping cut-up beat, abstract synth melodies, and ascending bass line imagine a robot dance-off on a year 2054 episode of soul train. those are just a few of the highlights to be found on motion capture.

vinyl only. no digital promotion. mr ks & friends is back with a taymor zadeh ep. already massively played by dyed soundorom, djebali and friends. 2 original tracks + 1 remix from leftroom boss matt tolfrey + a great dj tool!

steve spacek returns to eglo records after making his label debut with the summer smash follow me. the lewisham born singer/producer continues to innovate, utilizing the latest technologly (he made these two tracks on an ipad) to push his unique london style from his new home in sydney nsw. if u wan 2 find me is a celestial slice of vocal footwork/soul, with spacek offering his own zero gravity take on the chicago sound. bside time is running out completely switches up the tempo, this stripped back techno bubbler feels like the soundtrack to a late night cruise around the red planet. signature spacek swing and acid bounce througout. steve spacek remains one of the most unique and versatile artists from the uk, born out of londons soundsystem culture his fearless and forwarding thinking approach to music and technology has made him impossible to pigeon hole. consistently on the cutting edge of new evolutions in sound and style.

fall of 2016 sees midnight magic ready to enchant us once more with the much-anticipated birth of their 2nd studio album, the wondrously eclectic free from your spell. going back to their roots in los angeles, morgan wiley, and tiffany roth, alongside the rest of the boogie nonet, have prepared a refined feast of genre-bending songs. the ever so diverse moods of free from your spell make it a seductive journey. with each song mixed seamlessly into the next, the record coalesces into one long disco odyssey, reminiscing giorgio moroder and donna summer s concept albums four seasons of love and a love trilogy. moods, genres, and styles intertwine like an aural kaleidoscope, the album electrifying with its striking harmony. whilst exuberantly borrowing from past decades, free from your spell more than holds its own as a self-assured, innovative body of work. midnight magics free from your spell is an offer one can t refuse. an attractive deal in the form of disco escapism, traveling through its various shades, emotions, and incarnations, a comprehensive revival of the genre for modern ears. it s studio 54, it s moroder,amanda lear, gino soccio, and grace jones. its a whole palette of 1980 s r n b and cosmic funk. despite all the music references of past eras free from your spell is very much a current album, a mature demonstration of genuine skills in songwriting, a multi-instrumental banquet of sounds, a coherent collection of ambitious dance tracks and a beautiful celebration of eclecticism. add to this some of tiffany roth s most memorable vocals to date and you arrive at one of the year s most exciting releases. there is a strong reason for both midnight and magic in the name of the band after all.

take a trawl through mushrooms projects’ ample back catalogue, and you’ll immediately be struck by their constant artistic progression. throughout their career, giorgio giri and marco lentano have refused to stand still, with each successive release offering a subtle signs of musical evolution.
they’re at it again on rivea corymbosa, a sophomore set that’s markedly different – albeit similarly minded – to their 2013 debut album, undergrass.

c powers was raised in atlanta, georgia, usa. he lives in savannah, georgia. he is resident dj for performance art drag collective house of gunt. he has also been resident dj at clubnights cape fear in savannah, hunger in atlanta and no pain in pop in london. he works in a library and is cat dad to peppers, bucchi, and baby d. his releases include the oysters ep for proper trax in 2015 and the up neck ep for cgi records in 2014. he produced the single crow for the group 18+ (from their album trust) as well as songs on their album collect. fitness check shows c powers s experience as a dj as well as his growth as a producer. from the drum programs to the arrangements, it s obvious that the ep was written and produced by someone who can work a dancefloor. on wysh, which he says is an exit reaction to morose and morbid- techno, subliminal speech and warped vocal stabs transition from centered to alert. on fresco he dices and scatters a song over loops of itself, a technique he calls -a grey area between sampling and editing,i break it up into bits, resequence that shit then stuff that shit back into the track.js may get even more service from the wysh key beats and fresco beatapella versions, which give jacking rhythm tracks and sub-bass extra room to do their thing. the heavily dubbed ask less kick beats, lighter on drums but with a booming bassline, may prove useful as a set-opener or closer. the ep has been mastered for club play by helmut erler at dubplates & mastering, berlin.

claudio prc and unc are back on tgp alongside newcomer blazej malinowski. two deep and spacey techno journeys out on 12”.

mr beatnicks mythstery imprint returns with a two track 12inch for the collectors, purpose-built to wreck your discoteque. side a features a speakercrushin bollywood refix by breakplus, fresh off the back of his iconic mini-album instant bull. side b finds mr beatnick making his mythstery debut with an acid slow-burner, a lazer-lit dystopian rollerskating jam. artwork by optigram, limited to 300 copies.

always human tapes are back for round two and this time it’s a fight to the death. label head ryan wurst assumes the identity of soul tangler once again and unleashes a brutal mix of raw electronics, knife edged percussion and jagged techno.

limited repress due to high demand on requests. on its second release, the fresh label eating records, native of brussels, embarks us on its most unlikely underground journey yet .the new project includes two beautiful tracks from the deep flows of house music, from the unfamous talented producer from kiev, io (mulen). there s no point in trying to place io or his music in some larger social picture. no need to talk about his intensive production. his successful releases can be found on imprints such as rejected (joris voorn), propaganda (nastia), elarum and his own mulen records which he started in 2012 and that released his stunning debut album within 2013. on flutes/creeps ep, he thrives on fantastic impossibilities including flutes and deep melodic basses. it is obvious that mister io had a wonderful time making the two tracks. flutes comes up as victorious and gallant. it is an energizing shock full of curious noises, mesmerizing musical surprises, a real dancefloor track. creeps is discreet and dark, and remains beautifully deep. this track finds io wrenching as much sweetness out of it as he possibly can, in return giving us our first indication that he is in a generous spirit. when this ep comes to an end, it feels like getting back from a good vacation: the last thing you want to do is re-enter the real world.

it has been a year since we last heard something from him, but in the meanwhile things have been sweltering beneath the surface. last we saw him, he vanished into a sculpture that bended the rules of our three dimensional reality. finally, here we are. being stuck inside a rusty hypercube trying to find your way out, crawling around the different tunnels all leading to new spaces that puzzle the mind. tangible, tactile shapes forming a comprehensive physical world without containing a discernible contour. flat pictures that once inspected transform into multidimensional spaces. the room fades into infinity, and all that’s left is an overdose of sensory stimulation. but dont worry. quince is here to help you find your way out. after an album on delsin, releases on music man, kompakts speicher series and his track europe on our somewhere compilation, quince is back after a short hiatus on something happening somewhere with a four track killer no filler ep that oozes character out of every sweaty pore. making the kind of records you still remember after an intense club night slowly comes to an end, quince presents a diverse pallet of sounds to choose from. rif provides perfect sturdy dance floor material with quince’s compelling groove trusting alongside splintered melodies and detroit influenced synth sounds producing a sense of undeniable optimism. b1s coitus shares a similar punch, combining raspy synth stabs with a detuned bell pad giving the feeling that youre sucked into a wormhole propelling you towards an unknown location.

recorded in haiku-pauwela, maui between 3rd febraury and 14th february 2016 anthony child aka surgeon presents the second volume of recordings of buchla music easel recorded in the jungle of maui. again we find child s in a more ambient guise and setting as the calm breath of the jungle sets a real time back-drop for his electronic explorations. there is no additional layering and all environmental sounds simply occurred throughout the improvisations. the range on display veers from melodic drones to sparkling arpeggios all revolving around a thick bed of (buchla) electronic and (environmental) acoustic interplay. nine personality type map hovers on a bed of syncopated rhythms whilst the nearby sonic mist of the forest seeths in and out of the frame whilst nightfall of diamonds provides a sonic analogy for the darkness and light contradiction that occurs only in such rich natural environments. the simultaneous acts of improvising, listening and creating provide a rich setting for the curious listener. another gem in a catalogue filled with gold.

gina navarro calabrese was a detective of the miami metro-dade police department and an undercover detective in the organized crime bureau, vice division, in the 1980s.

ubjected unique style has touched many nerves of the techno playground, he is back with a full-length techno 4 cut ep.

pulse drift recordings, a new german electro label, bringing you the sounds of eoism with this fine 6-track ep. all born out of genuine live-jamming, what we have here is a remarkable collection of straight, unpolished electro music, ranging from laid-back tunes like -the last to know- to energetic dancefloor-blasters like -the wire- or -odyssey one- and everything in between. join in to this raw game of electro-fied passion!

soma proudly present the first in an exciting series of releases to celebrate 25 years at the top of electronic music as we turn to some of our favourite modern artists to reinvent some of the best from the back catalogue and up first is envoy s timeless classic, dark manoeuvres. originally released as part of the “coalition ep” in 1996 (which also featured the classic seawall), hope grant’s instantly recognisable hit is still found in nearly every techno dj’s record box and has continually served as a beacon of soma since it’s release. four new versions are served up here as dax j, norman nodge, obscure shape & shdw plus tensal all deliver fine interpretations of this soma classic.

atmospheric and ambient dub master yagya serves up stars and dust, his seventh full length album and second on delsin. it finds the icelandic artist perfectly pair melody and minimalism to create ten more tender tracks that will sooth both body and mind with a range of very real emotions. electronic but organic, it is another complete work that encourages you to lay back and get lost in sumptuous sound.

killer selection of adventurous electronic dance music. craigie knowes are back with the second instalment of their annual fundraiser series for war child. music spanning from instrumental to experimental, and from electro to techno... all killer, no filler!!!! they welcome back neville watson and the burrell connection to the series along with a wealth of new friends like legowelt, andy hart, aroy dee, chaos in the cbd and more. recommended!

in this age of pre-set play lists and total sharing of music, you more or less get served what you expect to hear. your musical preferences are predictable and you - with little or no effort - get access to music that suits your self-image perfectly and places you in a safe zone.
but what if these babysitting services went on vacation and you’re suddenly left alone in the post-industrial outback? where do you start looking? at first listen you might feel that the songs on loving hell by vox low, released on hoga nord rekords, might not suit your needs in such a cold, harsh existence. but that’s where you’re wrong. vox low’s sound might first appear frightening and cold to you but the tracks on this ep most of all carries with them depth, energy and persistence: the perfect soundtrack to reboot your system to and to get you going straight forward without looking back. this is music for the aftermath of a cathartic experience, music that generates a propulsion that makes you wanna walk on that road forever, music to help you rediscover what punk, rock and electronica really should be about - gut feeling.

Über den zeitraum von fünf jahren hat rob orme fünf verschiedene eps und ein album auf dem berliner project: mooncircle veröffentlicht. durch die nach wie vor hohe nachfrage und die tatsache, dass alle titel ausverkauft sind, veröffentlicht das label nun eine werkschau des künstlers mit seinen besten und beliebtesten tracks sowie vier neuen und bisher noch unveröffentlichten songs. das album erscheint als farbiges doppel-vinyl mit downloadcode.

point g is back with a double trouble release that goes to the floor up to the ceiling from the * ether* a sure floor fillers to * try to fight* a mental bass drivin with a fat dope a beat , leads us to * nebula* a deep raw lofi instant classic when * cat groove* blends an electro feel with a deep ny vibe to finish with * tom* a minimal tribal frenzyness a must have

having opened feel my bicep up for the first time with their previous 12” from new zealand duo sandboards, bicep now welcome another new signing into the fold in the form of brassica. in an extension of a bond established on a civil music record released back in may of 2016 which saw bicep remix tears i cant afford brassica presents his time tunnel ep, a rich and varied 4-track record spanning acid, breaks and balmy house music. also included in the package is an edit from the sphinx and a remix from mysterious hardware fiend roy of the ravers who follows up 12inches on acid waxa and the centrifuge with a tough, tumbling take on the title track that caps off another solid addition to the irish dou s evolving imprint.

nhan solo is back once again, and and this one is especially for the true house heads. two club bombs all wrapped up and ready to go!

we are back - bringing that raw and funky garage vibe to vinyl & kicking off our artist series with a selection of original underground garage artists from back in the day - so who better to start off such a release with no other than an innovator of that scene and mastermind behind those tuff jam beats, mr karl -tuff enuff- brown.

we all known raffa fl from his anthem how we do, so here is his solo on material with vs by charle ramirez. hot!

minds expanded and bodies soothed by krakataus deep spiritual eruptions, growing bin take us back to the beginning with three impressionistic jazz landscapes from the magical merge. inspired by childhood memories of an iranian oasis, jo lienen let his fingers breeze over the keys like a warm shamal, leading him back through dusty streets and covered markets to his long forgotten kashan.

last year saw casablanca-based cosmo records launch its most ambitious project todate, celebrating five years of cross-cultural collaboration. the three vinyl releasesfeatured producers such as san proper, radiq, pier bucci and dandy jack working with moroccan musicians to create a true fusion between modern electronics and ancient traditions. the purpose of cosmo has always been to find a natural meeting place between thesedistinct musical forms, bringing out the best strengths of each practice through real time spent together in the studio, where each artist can truly understand the other in a shared quest for sonic harmony. as such, this latest release marks a step forward in exploring this idea through a new series entitled cosmo jam. as the title suggests, the focus here is on live improvisation. in late 2014 parisian producers masomenos and vadim svoboda travelled to morocco and set up their equipment at the coda casablanca music center. they were joined by m’hamed el menjra playing bass, abdessamad boussahfa on violin and sanhaji on darbuka, and the ensuing jam sessions between these musicians now make their way on to vinyl. no editing or post-production took place – the music you hear on the record was created entirely in the moment. each track highlights the magic of a different instrument – on “be” menjra’s double bass comes twisting through effects processing and subtle distortion, meeting with a low-slung broken beat groove from the visiting french producers. sanhaji’s thrilling percussive flair on the darbuka flirts perfectly with the crisp programming of drums and bass on the uptempo “kaled” and the more laid-back “petit”. boussahfa’s violin makes for some of the most arresting moments on the release, meeting with intricate minimalist rhythms on “mon” and shining in the heart-rending ambience of “frere”. presented across two 12”s, this collection of six tracks tells a most honest account of how gifted artists from entirely different disciplines can find a common ground and create something truly unique. without any studio trickery to hide behind, this is the concept of cosmo records laid bare, and the results prove it is a concept worth exploring further.

justin martin looks to the skies on hello clouds, his second full length album on dirtybird. building on the formidable foundation he established with 2012s ghettos & gardens, justin invites listeners on a high-flying journey through a rich musical landscape. one of the label s most beloved characters, martin lets his effervescent personality shine through on these 13 tracks along with an unexpected range of emotions.

welcome to the astral theme. a new art series by virassamy. we are pleased to have ivano tetelepta back on the label. he s a talented artist who makes rare appearances and who doesn t follow any sound of the moment. he s just doing naturally his own thing with subtle class and warm grooves. for this ep ivano has invited his friends for a second shot in a series that started on one of uk s finest labels, fear of flying. passing through different moods and minds this ep will lead you into a fabulous trip. hot wax ! early supports by: raresh, sebo k, bambounou, dyed soundorom, einzelkind, john dimas, martyné, molly, nail, och, seafom, giovanni verrina, yamen & eda, anestie gomez…

following the peace obscured ep by bokeh, his joint venture with anthone, katsunori sawa sets yet another mark on the weevil neighbourhood with his first full-length solo artist album on the label. titled secret of silence the eight tracks-spanning work of kyoto based sawa drills through japan techno, industrial breaks and noise while flirting with breakcore and a more aggressive take on dub.
katsunori sawa has been with the label for pretty much four years now with solo projects as well as joint ventures (besides the aforementioned bokeh, he’s also part of steven porter with his brother in arms yuji kondo with whom he also runs their own 10 label). his musical career reaches back another few years when he was writing and producing under eoc (short for enormous o clock), including an album for ai records.
the release comes as a limited edition 12” record on black vinyl with artwork by l.a. based lee noble (no kings records/ bathetic).

just a year after their fabulous ‘holysheep’, containing the hit ‘psnl’ and ‘fiat 500’, cheaper shepherd are back with a second ep for forecast label, made of the same old-school house fibers. written in record time, the three tracks swing between french house, filtered hip-hop samples and instrumental disgression, played by real hands on real keyboards, that real music lovers will adore.

after a longer than usual break gamm enterprises is back on black plastic but more important... we got a brand new design! for those who don t know gamm has been delivering dance music of the blacker kind for almost 15 years but always with the same look. basically, a visual facelift was long overdue. but we think you ll feel it as much as we do and it really works beautifully with our musical ideology. so, for the (new) premier release we got an incognito producer that is rumoured to come from a small town in mexico. having finally agreed for a brief skype call he appeared wearing none other than a bright luchador mask and giving one-word answers with a strong mexican accent. no matter how convincing that was we still can t help thinking his name sounds pretty close to another producer that is to put it mildly, pretty hyped at the moment. musically the ep is ranging from percussive carnival disco (carnival in manchester) to brazilian fusion grooves (jazz in italics) and independent disco/funk (dues paid fast). either way you ll definitely find something that will work your party. gamm is back and back with musical vengeance!

on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

the latest single taken from no fantasy required, blondes have more fun exemplifies tigas knack for deceptively deep songwriting and lush production. it is accompanied by a trio of remixers from contemporary electronica royalty: prolific swedish producer on-the-rise on part 1 jonas rathsman, running back boss gerd janson and and international house and techno breakout du jour, the black madonna on part 2.

!! 70% xmas deal !! - last copies left , we re back with aria rostami s czarat ep, spring theory s sophmore release. rostami is a san francisco-based musician whose roots extend off into theoretical dimensions far beyond conventional dancefloor fodder (his material has appeared on labels like audiobulb and crash symbols). for czarat, however, he s honed his approach to produce an unusual dancefloor anthem. melding influences from around the world, the song arrives at something that sounds like acid house and techno as interpreted through an internet-enabled, information rich dialog of the present moment.

dürerstuben are back at them ivory keys to prove once again their broadly spread outcome of funk and groove. being responsible for mothership luise s first release and hence smoothing the way for a whole lot of pleasent memories we can look back to by now, it s that kind of re-(re!)-animation which puts our hearts to pleaseant warmths. saddle your moped, pull up your levi s and straighten your backs: trays n hits is the right compagnion for long lasting late-night drives, self proclaimed city slackers and mother earth s first outcome of country music you are bound to be proud of listening to. spin it, johnny!

oh! my god recordings presents its 13th launch before this christmas. this time at the expense of tobsen graale, known by his collabs with artists as christian burkhardt, in labels like tanzbar musik or trenton records. an ep loaded with old school techno and a high dose of groove that comes along with 2 incredible remixes. the first side of the disc gives name to itself, monitoring state and daso ( espectral sound / still vor talent) give a touch of techno-house with a taste of the german producer style to their remix. the side b belongs to the original track the universe next door. a travel into the past of the most pure electronic, along with the remix from human halo and the new member of the omgr family, jos vogel, giving it a fresh touch of sound. howard the duck is back!

the dj/production duo from munich back with four tracks full of bass-heavy excursions into hybrid forms of club music close to grime, dancehall, dub, techno and the yet unnamed territory in between their natural habitat. lead single and first track of the ep is copper and lead, which features london city warlord riko dan of roll deep fame, spitting dangerous lyrics on a bashment/grimeriddim. following this is blurred vision, a low end monster named after their gigantic soundsystem event series, exploring the middle ground between dub and the technoleaning 4x4 universe. up next is killer, a song with warrior queen from jamaica, who prepares for a dancehall dub war on a 808-heavy beat straight from miami,err, munich. topping the ep off is siren riddim, an instrumental uptempo bomb for the apocalypse club gang and all the gunfinger crew.